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The Film Experience >> Content Detail



Syllabus



Syllabus

This page includes a course calendar.



Primary Goals


This course is an introductory survey of classic films. Emphasis falls equally on cultural and on artistic matters: on films as anthropological and historical artifacts that articulate the values and assumptions of specific societies and eras and on films as works of art. The course aims to sharpen students' analytic skills, to give them a sense of the history and cultural significance of movies, and to improve their writing.



Writing Requirements


This course satisfies the criteria for communication intensive subjects in the humanities, arts, and social sciences. Students are required to write a short (1-2 page) response to some aspect of the material in the first two weeks, and three essays, 5-7 double-spaced typed pages each, devoted to films studied during the term. Students must write a minimum of 20 pages over the course of the term.

All students must revise and resubmit at least one of their first two essays, and they are encouraged but not required to revise both. Only the grade received on the revised version of the paper will count toward the final grade in the term. Revisions must be submitted within one week of the date on which essays are returned.



Late Papers


Essays submitted within seven days of the due date will be graded without penalty but will be ineligible for revision and may not receive written comments from the instructor. Papers will not be accepted beyond the seven-day grace period.



Paper Topics


A list of suggested topics will be provided for each of the essays. Students may depart from these suggestions, but the alternative must be approved by their recitation instructor.



Oral Expression


A central goal of the recitation hour in the course is to strengthen students' powers of oral expression. Attendance at recitations is mandatory. Students will be expected to participate actively in class discussions. Performance in these discussions will have a measurable influence on the final grade.



Exams


There will be one 30-minute quiz, one one-hour test, and one three-hour final exam. The quiz will consist of short identification items. Both tests will include essay questions as well as an identification segment. Material covered in lectures and in the assigned reading will supply most of the identification questions.



Calendar


WEEKSTOPICSREQUIRED FILMSKEY DATES
I. The silent era
1

Introduction

Keaton

Porter. The Great Train Robbery.

Griffith. A Beast at Bay, The Lonedale Operator.

Keaton. One Week, Cops, The General.

Short response due
2Chaplin

Chaplin. The Immigrant, Easy Street, Modern Times.

3Film as a global and cultural form: German filmMurnau. The Last Laugh.First paper due
II. Hollywood genres
4Hollywood in the 1930s: sound comedyCapra. It Happened One Night.
Quiz
5HitchcockHitchcock. Shadow of a Doubt.
6The musical

Donen/Kelly. Singin' in the Rain.

Fosse. Cabaret.

7The westernFord. The Searchers.Second paper due
8Film in the 1970sAltman. McCabe and Mrs. Miller.
III. International masters
9Renoir and poetic realismRenoir. Grand Illusion.
Hour test
11Italian neorealismDe Sica. Bicycle Thieves.
12FelliniFellini. 8 1/2.
13Summary perspectives: film as art and artifact
Final exam

 








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