1 | Introduction
Sturges, Preston. The Lady Eve (1941). | 2 | Singer, Irving. Reality Transformed: Film as Meaning and Technique. Cambridge, Mass.: MIT Press, 1998.
The Lady Eve commentary | 3 | Singer, Irving. "Imagination" and "Idealization." In Feeling and Imagination: The Vibrant Flux of Our Existence. Lanham, Md.: Rowman & Littlefield, 2001.
Jeunet, Jean-Pierre. Amélie (2001). | 4 | James, Henry. Washington Square. New York: Modern Library, 2002. (Download a version of the text from Project Gutenberg.)
Holland, Agnieszka. Washington Square (1997). | 5 | Singer, Irving. "Consummation." In Feeling and Imagination .
Wyler, William. The Heiress (1949). | 6 | Shaw, Bernard. Pygmalion. New York: Penguin Books, 1957, including the prose epilogue. (Download a version of the text from Project Gutenberg.)
Asquith, Anthony and Howard, Leslie. Pygmalion (1938). | 7 | Bédier, Joseph. The Romance of Tristan and Iseult. New York: Vintage Books, 1994.
Delannoy, Jacques. The Eternal Return (1943). | 8 | James, Henry. "The Turn of the Screw." In The Turn of the Screw, and In the Cage. New York: Modern Library, 2001. (Download a version of the text from Project Gutenberg.) Weigl, Petr. The Turn of the Screw (1982). (Based on the opera by Benjamin Britten.) | 9 | Singer. "Alfred Hitchcock." In Three Philosophical Filmmakers: Hitchock, Welles, Renoir. Cambridge, Mass.: MIT Press, 2004.
Hitchcock, Alfred. Vertigo (1958). | 10 | Joyce, James. "The Dead." In Dubliners. New York: Oxford University Press, 2000. (Download a version of the text from Project Gutenberg.)
Huston, John. The Dead (1987). | 11 | Singer, Irving. "The Meaning of Death" and "The Love of Life." In The Creation of Value. Meaning in Life Series, vol. I. Baltimore: Johns Hopkins University Press, 1996.
Bergman, Ingmar. The Seventh Seal (1957). | 12 | Discussion of Previous Readings and Screenings |
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